Aug. 17th, 2009

debgeisler: (Default)
Yeah, like I'm going anywhere today (high of 92°F and 70%+ humidity) or tomorrow (high of 94°F).

Not happening.

We're eating salads. Niçoise salad tonight. Mediterranean chicken salad tomorrow.

And ice cream.
debgeisler: (Default)
Yeah, like I'm going anywhere today (high of 92°F and 70%+ humidity) or tomorrow (high of 94°F).

Not happening.

We're eating salads. Niçoise salad tonight. Mediterranean chicken salad tomorrow.

And ice cream.
debgeisler: (Default)
This very promising energy news about a Salt Lake City company has me quite excited. The company, Ceramatec (the R&D arm of CoorsTek), has developed a better battery...which could change our energy-consuming world:
In a modest building on the west side of Salt Lake City, a team of specialists in advanced materials and electrochemistry has produced what could be the single most important breakthrough for clean, alternative energy since Socrates first noted solar heating 2,400 years ago.

The prize is the culmination of 10 years of research and testing -- a new generation of deep-storage battery that's small enough, and safe enough, to sit in your basement and power your home.

It promises to nudge the world to a paradigm shift as big as the switch from centralized mainframe computers in the 1980s to personal laptops. But this time the mainframe is America's antiquated electrical grid; and the switch is to personal power stations in millions of individual homes.
Shift those paradigms...please! How good is the new battery?
Ceramatec says its new generation of battery would deliver a continuous flow of 5 kilowatts of electricity over four hours, with 3,650 daily discharge/recharge cycles over 10 years. With the batteries expected to sell in the neighborhood of $2,000, that translates to less than 3 cents per kilowatt hour over the battery's life. Conventional power from the grid typically costs in the neighborhood of 8 cents per kilowatt hour.
I find myself crossing fingers and toes that this is not mere hype.
debgeisler: (Default)
This very promising energy news about a Salt Lake City company has me quite excited. The company, Ceramatec (the R&D arm of CoorsTek), has developed a better battery...which could change our energy-consuming world:
In a modest building on the west side of Salt Lake City, a team of specialists in advanced materials and electrochemistry has produced what could be the single most important breakthrough for clean, alternative energy since Socrates first noted solar heating 2,400 years ago.

The prize is the culmination of 10 years of research and testing -- a new generation of deep-storage battery that's small enough, and safe enough, to sit in your basement and power your home.

It promises to nudge the world to a paradigm shift as big as the switch from centralized mainframe computers in the 1980s to personal laptops. But this time the mainframe is America's antiquated electrical grid; and the switch is to personal power stations in millions of individual homes.
Shift those paradigms...please! How good is the new battery?
Ceramatec says its new generation of battery would deliver a continuous flow of 5 kilowatts of electricity over four hours, with 3,650 daily discharge/recharge cycles over 10 years. With the batteries expected to sell in the neighborhood of $2,000, that translates to less than 3 cents per kilowatt hour over the battery's life. Conventional power from the grid typically costs in the neighborhood of 8 cents per kilowatt hour.
I find myself crossing fingers and toes that this is not mere hype.
debgeisler: (Default)
Facebook and Twitter are the top two workplace time-wasters, according to CRN in Australia. They have the other top eight, and two honorable mentions.

If you're reading this at work, you are second-handedly contributing to time-waster #8...Fark...which is where I got this link to start with.
debgeisler: (Default)
Facebook and Twitter are the top two workplace time-wasters, according to CRN in Australia. They have the other top eight, and two honorable mentions.

If you're reading this at work, you are second-handedly contributing to time-waster #8...Fark...which is where I got this link to start with.
debgeisler: (Default)
io9 reports: DC Comics' Wildstorm imprint introduces Victorian Undead, in which 19th Century London is overrun by zombies, and only Sherlock Holmes can save the day.

Hehehe.

I want to read this one...also Pride and Prejudice and Zombies.
debgeisler: (Default)
io9 reports: DC Comics' Wildstorm imprint introduces Victorian Undead, in which 19th Century London is overrun by zombies, and only Sherlock Holmes can save the day.

Hehehe.

I want to read this one...also Pride and Prejudice and Zombies.
debgeisler: (Default)
Zombies have taken over a Minneapolis bar.
The stunning new interior comes straight out of a 1950s Las Vegas lounge (the classic part). The zombie stuff (i.e. the kitsch) is hilarious, and more nuanced than you'd expect from a bar named Donny Dirk's Zombie Den. In the corner, a small chainsaw sits inside a glass case that reads "In case of zombie attack, break glass." The bartenders all dress like Simon Pegg in "Shaun of the Dead" -- white button-up, red tie and blood stains. The friendly female servers wear long black gowns. Again: This is a classy zombie joint.
Via Neat-O-Rama.
debgeisler: (Default)
Zombies have taken over a Minneapolis bar.
The stunning new interior comes straight out of a 1950s Las Vegas lounge (the classic part). The zombie stuff (i.e. the kitsch) is hilarious, and more nuanced than you'd expect from a bar named Donny Dirk's Zombie Den. In the corner, a small chainsaw sits inside a glass case that reads "In case of zombie attack, break glass." The bartenders all dress like Simon Pegg in "Shaun of the Dead" -- white button-up, red tie and blood stains. The friendly female servers wear long black gowns. Again: This is a classy zombie joint.
Via Neat-O-Rama.
debgeisler: (Default)
That is my conclusion after looking at this collection of 61 "exceptionally creative wine label designs." In particular, I'd love to try:



But many of the others cry out to come home with me, too. (Of course, since I have a glass of wine every...month or so, nearly any increase in my wine consumption would improve the odds that new labels would come home.)
debgeisler: (Default)
That is my conclusion after looking at this collection of 61 "exceptionally creative wine label designs." In particular, I'd love to try:



But many of the others cry out to come home with me, too. (Of course, since I have a glass of wine every...month or so, nearly any increase in my wine consumption would improve the odds that new labels would come home.)
debgeisler: (Default)
It's not just our drivers who are horrible in Massachusetts -- the pedestrians are complete bug-nuts loonies...as illustrated by a blind guy jaywalking in Boston. Bravo!

Via Universal Hub.
debgeisler: (Default)
It's not just our drivers who are horrible in Massachusetts -- the pedestrians are complete bug-nuts loonies...as illustrated by a blind guy jaywalking in Boston. Bravo!

Via Universal Hub.
debgeisler: (Default)
This is the story of how one newspaper stayed off the internet, solidified its readership base, thrived -- and is about to add more reporters to its staff.

Few traditional media, however, have the advantages The Budget boasts.
debgeisler: (Default)
This is the story of how one newspaper stayed off the internet, solidified its readership base, thrived -- and is about to add more reporters to its staff.

Few traditional media, however, have the advantages The Budget boasts.
debgeisler: (Default)
Most of my fannish friends are people with whom I've worked: sharing labors (even -- or perhaps especially -- labors of love) is an amazingly good way to get to know someone. In the group of those you work with, there are people you like, people you respect, people you'd go to the wall for -- and a large percentage of my friends in fandom are all three of those.

A subset of fans I enjoy are also professionals in the field. They're folks who make a living writing or editing or publishing or painting...but who are, like me, struck by the "goshwow" of the whole SF genre. Some of them I know well enough to join for a meal or drinks; others are folks with whom I've worked on various conventions, but who I don't know...beyond knowing they are damned fine people.

Four very different fanpros (there should be a word) I saw at Anticipation are great examples:
  • C. always says hello (and he gave me a really thoughtful gift for helping him out once) and smiles like he's genuinely glad to see me. I don't know him at all well, but he lights up a room when he comes into it.

  • G. always treats me like one of the gang. I enjoy him and his partner enormously -- they're very different people, but both of them have an unbounded generosity of spirit and wicked senses of humor. We had to beg off on dinner with them at Anticipation, and that was a bummer.

  • T. is scary bright, and just holding up my end of the conversation is...stretching. She is a warm, kind, thoughtful lady...with a rapier wit. While I don't know her well, it has been a pleasure to interact with her over...well, a lot of years.

  • I've never worked with J. She doesn't know me from Adam, save for some brief conversation at Boskone this year. And yet, she kindly offered to pick up a chocolate croissant for me in Montreal when I asked where I might find a good one. (I declined gratefully; she already had too many demands on her time.)
  • I've read books written or edited by C. and G. and T. and J. -- and will continue to do so, both because I enjoy their work and to do my part to make sure their greatness of spirit is supported.
    debgeisler: (Default)
    Most of my fannish friends are people with whom I've worked: sharing labors (even -- or perhaps especially -- labors of love) is an amazingly good way to get to know someone. In the group of those you work with, there are people you like, people you respect, people you'd go to the wall for -- and a large percentage of my friends in fandom are all three of those.

    A subset of fans I enjoy are also professionals in the field. They're folks who make a living writing or editing or publishing or painting...but who are, like me, struck by the "goshwow" of the whole SF genre. Some of them I know well enough to join for a meal or drinks; others are folks with whom I've worked on various conventions, but who I don't know...beyond knowing they are damned fine people.

    Four very different fanpros (there should be a word) I saw at Anticipation are great examples:
  • C. always says hello (and he gave me a really thoughtful gift for helping him out once) and smiles like he's genuinely glad to see me. I don't know him at all well, but he lights up a room when he comes into it.

  • G. always treats me like one of the gang. I enjoy him and his partner enormously -- they're very different people, but both of them have an unbounded generosity of spirit and wicked senses of humor. We had to beg off on dinner with them at Anticipation, and that was a bummer.

  • T. is scary bright, and just holding up my end of the conversation is...stretching. She is a warm, kind, thoughtful lady...with a rapier wit. While I don't know her well, it has been a pleasure to interact with her over...well, a lot of years.

  • I've never worked with J. She doesn't know me from Adam, save for some brief conversation at Boskone this year. And yet, she kindly offered to pick up a chocolate croissant for me in Montreal when I asked where I might find a good one. (I declined gratefully; she already had too many demands on her time.)
  • I've read books written or edited by C. and G. and T. and J. -- and will continue to do so, both because I enjoy their work and to do my part to make sure their greatness of spirit is supported.
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